CARLOTTA BRIANZA
(1867- c. 1933) Princess Aurora
Born in Milan, Brianza had been
the prima ballerina at La Scala before going to Russia. She created
a sensation in Luigi Manzotti's ballet Excelsior as the
Spirit of Light. A photograph of her in this role survives, showing
her brandishing a couple of Edison light bulbs!
She went to Russia in 1887 after
touring the United States in a production of Excelsior (which
celebrated technology!) The contract that she obtained from the
Imperial Theaters gave her the right to perform in both St. Petersburg
and Moscow, and she was quickly taken to the heart of the Russian
audience. Never a dramatic dancer, her great virtue was in a
great strength and a classical purity uncommon in Russia at that
time, and her lyrical approach to roles is still apparent in
the general style of Aurora's variations throughout Sleeping
Beauty. Brianza was also much-admired for her personal style,
which was much more relaxed than that of the aggressive, personally
difficult Virginia Zucchi, in whose footsteps she followed in
Russia.
Brianza was acclaimed not only
for her work in Beauty, but also in Esmeralda. She returned to
the West in 1891 to take up duties as prima ballerina of the
Vienna Opera. She later returned to La Scala and also guested
at the Paris Opera. She retired to the latter city, where she
taught. Diaghilev brought her out of retirement, asking her to
assist Bronislava Nijinska in staging the 1921 version of The
Sleeping Princess in London. He is supposed to have asked
her to dance Aurora; she, over fifty, diplomatically chose to
perform as Carabosse, instead!
After the success of this revival,
she returned to obscurity, and died in Paris sometime during
the early thirties, reputedly a suicide.